Home after tragedy – photo essay
On December 14, 2012, tragedy struck where nobody thought it ever would. 20 students – no older than 7-years-old – and 6 faculty members were shot and killed at Sandy Hook Elementary School in Newtown, Connecticut. It was the type of town that everyone considered totally safe; nothing bad ever happened. However, what was previously considered a quiet and unassuming town had now been permanently rattled by an unimaginable, inhumane evil.
The Sandy Hook Elementary shooting is the second worse school shooting to happen in the United States to this date. It’s the type of thing that you hear on the news and think “that will never happen to me”. Most people send their best wishes to a town when these all-too-common crimes happen, but never consider how they rebuild after the fact. The following photographs are scenes taken around Newtown 12 years after the tragedy. They show how the community has adapted and changed but was never truly able to move on.
Newtown is just one example of a town that can’t ever forget gun violence. Despite memorials all around town, these crimes still happen almost daily in the United States. Schools are beginning to look more and more like high security prisons rather than a place to learn. Don’t let more children suffer, end gun violence.
Thoughts and analysis
Having lived in Newtown for over 15 years now, I have seen how the shooting that took place permanently rocked the town. Although I was not at Sandy Hook Elementary at the time of shooting, I saw the grief and despair of everyone around me.
It has bothered me that after a school shooting, people seem to forget about it until the next one. Sandy Hook seems to only be brought up to compare how devastating it was to the most recent shooting at a given moment. Unlike what the public may thing, people don’t simply move on.
I saw my home and school change. Security measures increased and fear lingered. I wanted to show these feelings using my skills as a photographer, presenting still images of places around Newtown that remind us of what happened that day. The photos don’t include people or action, just places.
This intentional choice to keep the images relatively still and lifeless was done to make the viewer feel the emptiness that was created by the shooting in 2012. This is supported by the color choices I made during the edit of these photographs. The dark, faded oranges, browns, and greens symbolize apprehension and vigilance – as explained by Plutchik's wheel of emotions. These are the feelings that have yet to fade from the community in Newtown.
Most of the images use depth to guide the viewer through the story. Linear perspective and overlapping are the two most common forms of this in the images. An example of this is in the image of the plaque at the permeant memorial. Depth and focus are used in this case to draw the viewer to two specific sets of words in the image – “Welcome” and “December 12, 2012”.
Another way viewers are drawn to the subjects in my images is using proximity and enclosure to create frames. This is seen most notably in the image of the fire station, which is framed by the tree in the foreground. Proximity is also crucial to giving context in the images, such as the image of Saint Rose School, which shows the sign giving its name to the viewer while also showing the new security entrance at the front.
It's important to note that the story I presented lacks a definitive three-act structure or arch. This structure works because the images are not the whole story. Rather it is more of a focus on the end of the bell curve after the falling actions. What was the resolution? Where is the community now?
The images I created are incredibly telling of what Newtown is today. Although we have learned to move on after the tragedy, we have certainly not forgotten. Although it is still quiet and unassuming in many ways, the feelings of anxiety and tentativeness shown in the images do still linger – and they likely always will.
Hi! My name is Peyton McKenzie.
I am a professional graphic designer, photographer and content creator.
I encourage you to explore my portfolio to get a better idea of the work I create. If you are interested in working with me or have inquiries of any kind, don’t hesitate to reach out over email.